122 Royalty-Free Audio Tracks for "Diode Chaos"

Medium sized, mixed male and female, crowd yelling and screaming in panic. Recorded (and featured) by students of video games and animation from the national school of arts of uruguay, during the sound design workshop.

Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/noise and some simple tones added. Reverb and delay (zoom ms-70cdr)!nlc sloth is controlling filters and melody development.

These are two guitar solo outtakes from a guest guitar session i was asked to be on. They essentially wanted that early era slayer vibe where there is more cacophonous noise than structure. I think i recorded 15-20 for two sections in one song. They chose two other files and this was the one i liked best to keep as a memento. I am the creator and owner of the audio contained within the file. I know guitarists these days want to sound like an andy sneap plugin, but this may give someone a different idea. Within the context of the song they were for they fit well. I'm not apologizing for the playing or quality of the recording. Just something i did for a friend that took me 4x as long to set up than total time under the red light. It was fun.

5 minutes of chaos. Never the same. Nonlinearcircuits jerk off (a discontinued jerk circuit module) and genie playing a song for you. Or controlling. Creating. Composing. Whatever. . . Nobody will ever be able to recreate this. Not exactly. This is unique.

Crashing noise from the spring tank reverb with tiny sounds. Made with the koma elektronik field kit fx.

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.

An mp3 recording of a large crowd talking and chatting while instruments are warming up - the overall effect is a rather dissonant cacophony. This recording was taken during a performance at the colorado symphony on january 28th (2017). Recorded with a black sony ic voice recorder.

An mp3 recording of a large crowd talking and chatting while instruments are warming up - the overall effect is a rather dissonant cacophony. This recording was taken during a performance at the colorado symphony on january 28th (2017). Recorded with a black sony ic voice recorder.

Electronic wasps taking bytes of ram.

Zoom h4n on a tripod next to the columbia river near portland/vancouver. Along with the river, a train crawled along nearby as a few planes came in for landing at pdx.

This is a field recording from inside the "experience gallery" of the musical instrument museum (phoenix, arizona). The experience gallery is full of gongs, bells, drums, gamelan instruments, stringed instruments, marimbas, xylophones, and even a theremin. A schoolgroup of children were let loose at the time of this recording. Recorded in stereo with a sony pcm-d50 (onboard mics, wide pattern) while in motion.

One more recording today. Using chaos! yep! this time the logistic equation. But my r is constant.

Old-school sound made with analog modular synth - the old way. . . The reverb is a spring reverb - what else. . . ?.

Piano keys.

Piano keys.

Sound created using a sampler and effects.

_.

Government protest in reykjavik iceland at parliament building in autumn 2010. It was a lively protest.

Sound of another world made by a analog modular synth.

Government protest in reykjavik iceland at parliament building in autumn 2010. It was a lively protest.

While working on another audiobook, i decided to make this sound. It's 38 voices, each saying different things, panned around and mixed together, creating a "wall of sound" that speaks like 38 radio channels at once. Recorded with a zoom h2 via usb into ardour2. Mixed and exported to flac with ardour2. Ps: it's all polish (with some possible german shout-outs), but the amount of noise makes it almost completely incomprehensible. Only a few words that are being yelled in a different voice can be understood. No sound repeats here, no recycling - every voice and every second of this recording is unique. Yes, it required quite a lot of work to record so much talking in quality! it's almost an entire audiobook squeezed into 5 minutes. Strangely (or not) listening to this makes my mind rest, because the noise blocks all other sounds from the environment - making my mind free of stimulation, allowing for sleep-like rest state. The signal is so much modulated that it appears to be not modulated at all - like static you get from a fm radio of you tune it wrong. The brain receives less data when you listen to this, than when you sit in a room hearing even faint (but distinct) noises from outside, other rooms, other people or yourself. This is sound masking in action. A very interesting psychoacoustic property of human hearing. Also: this is an interesting material to study of my voice's spectral energy distribution while speaking (as opposed to singing). As you can see using the spectrogram view, most energy is present in the band below 600 hz.

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).